BIBLIOGRAPHY |
Annie Gosfield |
WRITINGS BY ANNIE GOSFIELD ON HER WORK “Fiddling With Sputnik: How I Wrote Lost Signals and Drifting Satellites”, Arcana II , Musicians on Music edited by John Zorn. New York: Granary Books/Hips Road 2007, p.104-109 Four essays for the New York Times’ “The Score”, a series on composers published in TimesSelect:
“Bringing in the Noise”, on the influence of noise and environmental sound in music. The New York Times TimesSelect. 29 March 2007. http://thescore.blogs.nytimes.com/2007/03/29/bringing-in-the-noise/
“Composer House Arrest”, on the day-to-day process of composition. The New York Times TimesSelect. “Factory Girl”, on composing a site-specific piece for a factory in Germany. The New York Times TimesSelect. “How I Learned to Love the Wrong Notes” autobiographical information and influences. The New York Times TimesSelect. 1 March 2007. “Music From Factories”, cover story on the composition, production, and performance of EWA7, a site-specific piece performed in a factory in Germany. Avant Magazine [London]. Winter 2000. FEATURE-LENGTH PRINT INTERVIEWS AND ARTICLES Cahill, Greg. “Bring on the Noise”. Strings Magazine. April 2005. Cording, Jens: “KunstWerk Nürnberg”. Positionen: Beiträge zur neuen Musik, issue 42. February, 2000. p.21-24 Cowley, Julian. “Music Out of the Moon” The Wire. May 2005. Cowley, Julian, “Unedited transcript of interview with Annie Gosfield” The Wire online Archive. May 2005. Feisst, Sabine: “Komponieren mit urbanen Klängen" MusikTexte, issue 115. November, 2007, p.5-15. Peterson, Lloyd: Music and the Creative Spirit. Lanham, Maryland: The Scarecrow Press. 2006, p.109-111. Uitti, Frances-Marie. “A Three Way Talk: Interview with Roger Kleier and Annie Gosfield“ Contemporary Music Review, Volume 25. London: Routledge, 2006, p.603-612. Wright, Preston, and Blackburn, Philip, “An Interview with Annie Gosfield” American Mavericks [produced in association with the American Public Media and the San Francisco Symphony]. July 2002. REVIEWS Carl, Robert: “Bang on a Can All-Stars” review of The Manufacture of Tangled Ivory. Fanfare. September/October 1996. Carl, Robert: “Gosfield” CD review of “Burnt Ivory and Loose Wires”. Fanfare.March/April 1999. Carl, Robert: “Gosfield” CD review of “Flying Sparks and Heavy Machinery”. Fanfare. July/August 2002. Cowley, Julian. “Annie Gosfield” Concert review of EWA7 at King's Place, London. The Wire. March 2009. Gann, Kyle: “Consumer Guide” CD review of “Burnt Ivory and Loose Wires”. Village Voice. 17 August 1999. Gann, Kyle. “Framing Wallpaper” concert review of The Manufacture of Tangled Ivory. Village Voice. 24 March 1998. Gann, Kyle. “Orchestral Maneuvers” concert review of Lost Night. The Village Voice. 26 December 1998 Gann, Kyle. “Rattling the Stones” concert review of EWA7 at the Brooklyn Anchorage. Village Voice. 6 September 2000. Goldsmith, Kenneth. “Burnt Ivory and Loose Wires” CD review. New York Press. 30 December 1998. Kors, Stacey: “Making Up Their Minds” preview of Otherminds festival/interview. SF Weekly. 15 March 2000. Kozinn, Allan: “Out of Static and Bleeps Can Come, Yes, Melodies” concert review, Merkin Concert Hall. The New York Times. 5 May 2007. Melcher, Kristina “Gosfield Redefines the Art of Noise” concert review from the Santa Fe Chamber Music Festival. The Santa Fe New Mexican. 1 August 2002. Millett, Naomi: “The Music Factory” concert review. The West Australian Today. 12 May 2000. Oestreich, James R. “After all the Hoopla, Balloons and Electronics for Schubert? Why Not?” concert review of the Alternative Schubertiade. The New York Times. 22 September 1997. Oestreich, James R. “Long-Distance Love Affair in Santa Fe” overview of Santa Fe Chamber Music Festival. The New York Times. 30 July 2002. “Perfect Pitch” concert review of Brooklyn, October 5, 1941. Sports Illustrated. 9 February 1998. Potter, Keith: “Minds at play in ‘Frisco Bay” concert review of the Otherminds Festival. The Independent [London]. 27 May 2000. Rosenberg, Marion Lignana. “An Ethereal Mix of Satellite Sounds and Violin” concert review from The Stone, New York City. Newsday. 21 June 2005. Sheehy Hoover, Joanne. “Program Takes Music to the Brink of Noise” concert review from the Santa Fe New Music Festival. The Sunday Journal [Santa Fe, New Mexico]. 28 July 2002. Smith, Ken. “Gosfield” CD review of “Lost Signals and Drifting Satellites”. The Gramophone. June 2005. Strini, Tom. “Performance Evokes Painful Emotions with Beautiful Music” concert review of Smoking and Drifting at the Milwaukee Art Museum. Milwaukee Journal Sentinel. 13 January 2002. Young, Rob: “Lost Signals and Drifting Satellites” CD review. The Wire. February 2005. CITATIONS IN BOOKS, TEXTBOOKS, AND ENCYCLOPEDIAS Feisst, Sabine. “Gosfield, Annie,” Entry in Die Musik in Geschichte und Gegenwart, ed. L. Finscher, Supplement-Volume. Kassel: Bärenreiter Verlag, 2008. Gould, Claudia, and Smith, Valerie. 5000 Artists Return to Artists Space: 25 Years. New York: Artists Space, 1998 p.299. Hinkle-turner, Elizabeth. Women Composers And Music Technology in the United States: Crossing the Line. London: Ashgate Publishing, 2006. Kuhn, Laura. Baker's Biographical Dictionary of Music and Musicians, Centennial Edition (ninth). New York: Schirmer Books, 2001. Martin, Bill. Avant Rock: Experimental Music from the Beatles to Bjork. Chicago: Open Court Publishing Company, 2002, p.129. Nicholls, David. The Cambridge Companion to John Cage. Cambridge University Press, 2006, pp. 245, 249. Pasternak, Anne. Creative Time: The Book. Princeton Architectural Press, 2007, p.267. Wilkins, Margaret Lucy: Creative Music Composition: The Young Composer's Voice. London: Routledge, 2006, p.265. Watson, Ben: Derek Bailey and the Story of Free Improvisation. London: Verso, 2004, p.310. CONFERENCE PAPERS PRESENTED ON GOSFIELD'S MUSIC Feisst, Sabine. “The City as Muse: Annie Gosfield’s New York City Soundscapes,” Annual Meeting, Society for American Music, Denver, 19-22 March 2009. Feisst, Sabine. “The City as Muse: Annie Gosfield’s New York City Soundscapes,” 14th International Congress “Music – City. Traditions and Perspectives of Urban Music Cultures,” Gesellschaft für Musikforschung, Institut für Musikwissenschaft, University of Leipzig, Germany, 28 September-3 October 2008. |